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  • silmatauki

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    válasz Colonel993 #23628 üzenetére

    Sokat hasonlítgattam a D5300/3300-as videók moiréját / aliasingját a Canonokéhoz & Fujikéhoz. Mind a Canon consumer crop vázai, mind az összes Fuji összehasonlíthatatlanul rosszabbak moiré / aliasing-téren. Persze felbontásban, ahogy a cikk is írja, nem éri el a legjobb consumer cuccokat (pl. GH-sorozat). De ha nem hisztek nekem, itt egy review: http://www.eoshd.com/2014/02/nikon-d5300-review/ (kiemelés tőlem):

    "Neither can quite match the GH3 for detail in 1080p (let alone the GH4). I believe the trick Panasonic are using to give us such crisp 1080p on their cameras is to down-sample the sensor to roughly 2.5K and then oversample 1080p from that higher resolution raw image. The D5300 looks like the 5D Mark III’s stock video mode for resolution – it’s a bit mushy. You notice this the most when shooting in daylight at focus points between infinity and roughly 5 meters. Sometimes you don’t notice the softness much at all, so it’s not the camera’s main problem.

    With sharpness dialled down in-camera it will look very soft and require digital sharpening to be added in post. You can do this in-camera by simply leaving it on the Standard or Vivid picture profile and not turning down sharpness. Whatever method you use the results after grading look similar.

    Compared to the Canon Rebels, 6D and 70D the Nikon D5300 has far lower moire & aliasing (it’s almost unnoticeable) in videos and better low light performance than the Canon APS-C fleet. Stills are also way ahead now on the Nikon cameras compared to the Rebels. With a near-2 stop dynamic range advantage and a significant resolution bump over Canon, the Toshiba sensor in the D5300 rates over 20 points higher than Canon’s 700D on the DXOMark chart, and 15 higher than the 70D. JPEGs and raw stills out of the D5300 are very good indeed."

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